Festival Schedule
Full Festival Schedule
Schedule by day:
Thursday | Friday | Saturday | Sunday
Events:
Tickets
CCA Tickets & Festival Passes
3-Day Festival Pass: £30.00 (£15.00 Unwaged)
Day Pass: £12.00 (£6.00 unwaged)
Single Screenings: £4.00 (£2.00 unwaged)
Box Office: 0141 352 4900GFT
Single Screenings: £4.00 (£2.00 unwaged)
Box Office: 0141 332 6535
www.glasgowfilm.org/theatreGMAC
Single Screenings: £4.00
Box Office: 0141 553 2620All screenings and events are free to asylum seekers, refugees and festival pass holders.
Venues
Google Maps | Bing MapsCCA
350 Sauchiehall Street, Glasgow, G2 3JD
GFT
12 Rose Street Glasgow, G3 6RB
GMAC
Trongate 103, Glasgow, G1 5HD
The Old Hairdressers
Renfield Lane, Glasgow, G2 6PH
Document 9 Brochure
For full coverage of every film, programme, discussion, and event at this year's festival, download the Document 9 brochure here (2.4 MB).

Document 9 Art Exhibition
12.00 noon–12.00 midnight, 17th–21st October 2011
Old Hairdressers Renfield Lane, Glasgow
Reception
7.00pm, Monday 17th October | Live band: Falconry 8.30pm
Unravel
The longest hand painted film in Britain (Glasgow extract)
Shown here is Glasgow’s contribution, created by drawing, painting and scratching directly onto 16mm film.
The work with its accompanying soundtrack of interviews and recordings made in collaboration with the Document 8 is an extract of the full sixteen-hour film that has been made by and for the people of Britain.
unravelfilm.blogspot.com
Aftermath: Leftovers of a recent past
Catherine Rogan
Z 8619: The Devouring
Omar Bhatia
Scottish Gypsy Travelers
Shamus McPhee
Hope, Memories, Loss & Community
Chris Leslie
Total Institution
David A.
If there is one thing I remember regarding my experience that is the colours within the institutions – which assault the senses. And if asked, in one word, to describe the institutions – I would use the word ‘Poverty.’
When the project ended the former institutions where being converted into luxury housing or simply demolished. I had always worried that with their demise – that the institutions’ would no longer be held accountable – the evidence of their existence and practice gone – how would those unable to explain their experiences ever be heard?
Looking back – nearly a decade on I hope these photographs offer an insight to a new audience – one who has never experienced life inside a long-term institution. And for those who spent their lives within the walls – these photographs are an indictment of a people against a society.
Impasse-ioned
ann vance